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Tag: exhibitions

Solo Series Spring 2024

Glass Sea, 2022 | Abbey Stace | Plaster, acrylic, oil

On View April 27 – May 31, 2024

Opening Reception | Saturday, April 27 | 6:00p.m. – 8:00 p.m.

Coffee Break: Artist Talks | Saturday, May 4 | 10:00 a.m. – 12:00 p.m.

Coffee Break: Artist Talks | Saturday, May 11 | 10:00 a.m. – 12:00p.m.

DIGITAL CATALOG

ARTISTS

Chau Nguyen, Interdisciplinary Art

Asian Fusion, 2019-20 | Oil on unstretched canvas, bamboo
The Kiss, 2022 | MDF panel on wooden frame, lacquer paint, gold leaf

“My ethnographic approach goes against the grain of the Western art historical canon to embrace these fragments of archives.”

– Chau Nguyen

Chau Nguyen is a first-generation Vietnamese interdisciplinary artist, whose work draws from concepts of translation, memory, symbols, affect theory, materiality, and research on Vietnamese histories. They work to convey this notable friction at the intersection of cultural identity, colonial fragments, and transnationalism through their art and their study. Chau’s artistic practice allows for and relies on experimentation and material transformation as a way to combine their research into postcolonial transnationalism and their personal perspective as a Vietnamese immigrant. With an emphasis on material and its history, their work offers an open-ended and complex look into these concepts. 

Nguyen’s Of Color is being exhibited in our Community Arts gallery.

Duwenavue Sante Johnson, Mixed Media

Seasonal Resilience, 2022 | Handmade paper, collage
Abound, 2020 | Handprinted, handcut and sewn paper

“Creation comes from an intense emotional state involving uncomfortable, non-cooperative responses to perceptions and resilience, while searching for joy and beauty.”

– Sante Johnson

Duwenavue Sante Johnson is a BIPOC embroiderer and contemporary artist, influenced by world travels, environmental patterns and textures, and colorscapes. Not limiting herself to any one medium, Johnson blends practices of painting, printmaking, textile, and craft to create dynamic works of art that encapsulate the human experience. Art acts as a tool for Johnson, helping her process and understand the complexities of humanity, its divides and cultural histories, and engage with these pathways to create something positive that unites. 

Johnson’s Seasonal Resilience is on display in our Tile gallery

Grue Shackelford, Fiber Art

Holler of Recollection III, 2023 | Tufted yarn
Vista II, 2023 | Tufted yarn

“Each piece is a fragment of a memory, a place recalled through a haze of blazing sunset and screaming fury.”

– Grue Shackelford

Grue Shackelford is a contemporary fiber artist based in Philadelphia, whose work explores the relationships between memory, intergenerational trauma, and the Appalachian identity. A West Virginia native, Shackelford is familiar with Appalachian Fatalism, a “pervasive, inborn spirit that is found in everyone and thing that dwells in those hills”. This mentality juxtaposed with the never-ending cycle of trauma that befalls the Appalachian people is something that intrigues them. Through tufts and tangles of multicolored yarn and felt, each of Shackelford’s intricate wall hangings tells a story. 

Shackelford’s Montani Semper Liberi is on display in our Kellner gallery.

Abbey Stace, Painting

Glass Sea, 2022 | Plaster, acrylic, oil
Smoke and Ember, 2024 | Plaster, acrylic, oil, sand

“There is only becoming; a permanent state can never be reached.”

– Abbey Stace

Abbey Stace is a contemporary abstract artist, whose material abstractions have developed over a lifetime of studying science, philosophy and art. Change and chance are fundamental to Stace’s artistic practice, creating work that is experimental and process-driven rather than literal and narrative-driven. She starts with a simple composition and then allows the materials to interact with each other to create naturally-forming textures, colors and shapes. This approach directly parallels the constant change that is life, noting “this mirrors the serendipitous and unpredictable process that is life…The layers of matter built up and worn away…mirror the accumulation and loss of experiences and memories in the human psyche.” Favoring ambiguity, Stace invites the viewer to derive their own associations and connections from her work.

Stace’s Salt & Stone is on view in our Book Room gallery.

Feeling Blue: Navigating Challenges Through Art & Affirmation of Life: Art From Today’s Ukraine

On View March 8 – April 15, 2024

Dual-Opening Reception | Friday, March 8 | 6:00p.m. – 8:00 p.m.

2024 Annual Juried Show – Feeling Blue: Navigating Challenges Through Art

Feeling Blue: Navigating Challenges Through Art asked artists to consider art as a tool for healing.

Artists often explore art as a tool for articulating emotions and navigating difficult circumstances. Art plays a vital role in society; it acts as a means for people to process the world around them and channel their response into tangible work for others to look at, interpret, and resonate with. We have all found ourselves in difficult situations, whether it be overcoming obstacles or dealing with something unprecedented, and artists are no strangers to this. Like Picasso with his Blue Period, artists use artwork as a way to navigate the complex emotions that arise from challenges, whether deeply personal or universally shared.

The selected works highlight art’s healing power in the face of adversity. Our Annual Juried Show is on display in our Kellner, Book Room, and Tile galleries from March 8 – April 15, 2024.

Our 2024 Annual Juried Show Jurors:

Lauren E. Peters
Visual Artist

Peters is a Philadelphia-based visual artist working with the concepts of identity and gender through self-portraiture. Her self portrait series serves as a tool in navigating the complex relationship between her gender identity and gender expression.

Visit Lauren’s Website

Heather Ziegenmeyer, MA LPC ATR-BC
Board Certified Art Therapist & Licensed Professional Counselor

Heather Ziegenmeyer is a certified art therapist and licensed professional counselor who founded Kindred Art Therapy, a local art therapy center that works with children ages 5+, teenagers, and adults through individual and family therapy sessions. Ziegenmeyer uses art as a form of therapy, allowing creativity and expression to act as another natural language: “[my] goal is to create a warm and safe outlet to create, express, and process the challenges we face in life.”

Visit Heather’s Website

Lisa Kelley
Teaching Artist at Kensington Storefront and Prevention Point

Kelley is a teaching artist at Kensington Storefront and Prevention Point, organizations that serve people struggling with addiction and homelessness in the Kensington neighborhood of Philadelphia. Kelley’s work is often narrative-driven, inspired by the experiences that impact her emotionally: “sometimes the stories are apparent in the work, and other times the stories are what fuel the art.”

Visit Lisa’s Website

Exhibiting Artists

Lisa Auerbach
Grace Bauder
Caroline Beattie
Jessica Bednarcik
Reena Brooks
Caleb Booth
Hollie Brown
Charles Compo
John Costanza
Kirsten Cunningham
Eleanor Day
Emily Ennulat-Lustine
Andrea Finch
Katherine Fraser
Rah Gerg

Megan Giampietro
Raegan Glaser
Barry Good
Cecelia Grant
Jenna Hannum
Theresa Heidig Rooney
Sarah Kowalski
Kendall Laurent
Cony Madariaga
Paula Mandel
Kyle Margiotta
James Anthony Mariano
Denise McDaid
Shane Monaghan
Florence Moonan

Ginny Perry
Charlese Phillips
Jeni Prescott
Logan Radcliff
Birgit Raders-Eichinger
Sondra Rosenberg
Jessica Shannon
Harin Song
Susan Uccelletti
Sharon Wensel
Kathleen Wert
Lisa Wilde
Francesca Woolson
Nina Yocom

Annual Juried Show Select Works

Affirmation of Life: Art in Today’s Ukraine

Affirmation of Life: Art from Today’s Ukraine is organized by the Ukrainian Cultural Initiative in partnership with Abington Art Center, UGS, UCFP, AJC, and UKRFCU.

This remarkable exhibition showcases a fusion of both traditional and modern artwork, providing a window into the diverse and compelling world of Ukrainian artists. Conceived and spearheaded by Nataliya Proskura and Vladislav Shapiro, both Bedford, MA – based mathematician with Ukrainian ancestry, the exhibition will feature an array of mediums and themes, highlighting the incredible talent present in today’s Ukraine. All the artists presented at the exhibition, currently live and work in Ukraine.

Affirmation of Life: Art From Today’s Ukraine is on display in our Community Art Gallery from March 8 – April 15, 2024. Please also join us for a conversation with journalist Vladislav Davidzon and book presentation of Jewish-Ukrainian Relations and the Birth of a Political Nation Sunday, March 17 at 3pm.

All the proceeds collected during the exhibition will go directly to Ukraine for supporting
the artists and their collaborative efforts with students and veterans.

Exhibiting Artists

T.Kolechko
S. Kolechko
B.Eghiazaryan
N. Martynenko

L. Minenko
O. Bednoshey
O. Omelchyshyna

N. Huliayeva-Smahlo
O. Dovban
O. Pilyuhina

Affirmation of Life: Art From Today’s Ukraine Featured Works

Solo Series Winter 2024

Pareidolic Figure, 2023 | Karen Hunter McLaughlin | Indigo dye, watercolor pencil, interference watercolor, on botanical dyed paper

On View January 19 – February 26, 2024

Opening Reception | Friday, January 19 | 6:00p.m. – 8:00 p.m.

Coffee Break: Artist Talks | Saturday, February 3 | 10:00 a.m. – 12:00 p.m.

Coffee Break: Artist Talks | Saturday, February 17 | 10:00 a.m. – 12:00p.m.

DIGITAL CATALOG

ARTISTS

Mia Fabrizio, Mixed Media

True Grit, 2023 | Found tables, carved drywall, silkscreen, cement and twigs
Brick House, 2023 | Brick, wood, dirt, cement, artificial grass and paver
Mama Liked The Roses, 2021 |
Aluminum wire, leather lace, fabric, wire, silkscreen, collage, spray, wood, drywall, foam core, digital photographs, acrylic paint, latex paint and found objects

“My work operates at the intersection of architecture, sociology and visual art.”

– Mia Fabrizio

Interdisciplinary artist, Mia Fabrizio, creates mixed media paintings, freestanding sculptures, and installations comprised of building materials and domestic items. Her work acts as an investigation into the relationship between physical construction and cultural paradigms, highlighting contradictions within domestic spaces with the intent of exposing the true fluidity of perceived binaries, such as masculine and feminine, public and private, and modern and traditional. She describes her artistic process as “[vacillating] between tearing apart and tenderly memorializing [her] personal family experience.” 

Fabrizio’s work is on display in our Tile gallery.

Karen Hunter McLaughlin, Mixed Media

Filagree, 2023 | Indigo dye, watercolor pencil, interference watercolor, on botanical dyed paper
Earth Embrace, 2023 | Rust, Monotype Print, Collage with pronto plate litho on Rives
Pareidolic Figure, 2023 | Indigo dye, watercolor pencil, interference watercolor, on botanical dyed paper

“This work is motivated by a fascination with the mycorrhizal network – the symbiotic association between the plant world and fungi, drawing on the deep connections between trees, plants and mycelia. The new work draws on concepts of how they invisibly share what the other lacks, how they rescue each other.”

– Karen Hunter McLaughlin

Artist Karen Hunter McLaughlin’s work uses symmetry to expand on long-held interests in the connections between natural science and art. This series investigates kinship with the more-than-human world, and a dive into “Ki”, Robin Wall Kimmerer’s suggested pronoun for other-than-human. She employs a language of shapes that mimic the threadlike hyphae of mycelium, the same marks often used to illustrate galactic space, brain synapses, and other human, and non-human body systems. They are perfect symbols of the matrixes that support the essential nexus of human connection.

Hunter McLaughlin’s new series, Golden Thread, is on view in our Book Room gallery.

Nicole Santiago, Painting

Shifting Celebrations, 2018 | Oil on linen
Caregiver, 2019 | Oil on panel
Second Time Around, 2019 | Oil on canvas

“My work is autobiographical, its content thinly veiled by the mundane domestic debris that clutters the picture plane.”

– Nicole Santiago

Artist Nicole Santiago creates paintings that are rooted in personal experiences, yet read universally. Her use of familiar scenes, a desk littered with empty soda cans and medicine bottles, help stretch her compositions beyond the limits of her own experiences and engage with broader audiences. She notes, “while storytelling is an integral part of my work, it always remains subservient to the broader formal concerns of the picture itself.” 

Santiago’s narrative paintings are on display in our Kellner gallery.

Summer Yates, Sculpture

Surrender, 2021 | Foam, stake flags, plastic table cloth, and hanger
Dine, 2023 | Photograph of platter, polyester, and hanger
Get Outta My Mouth, 2020 | Acrylic, vinyl, and ribboning

“In a celebratory fashion, the work reflects the complexities of ‘holding it all together’ and total surrender.”

– Summer Yates

Summer Yates assembles mixed media wall hangings and soft sculptures that are light, flexible, and brightly-colored. There is an emphasis on the material of her work and how it parallels her intertwined experiences as a woman, artist and mother. She notes, “As a mother, I’m confronted with my own need to care for and nourish myself… the sculpture, installation, and wall hangings in this show reveal the catharsis I experienced in doing so…the soft, squishy quality of my materials and how I assemble them affirm how I embrace all the parts of myself.”

Yates’ series, WAM! (Woman Artist Mother), is on view in our Community Arts gallery.

2023 Faculty & Member Show

Vessels by Jason Patrick Jenkins

On View November 10 – December 18, 2023

Opening Reception | Friday, November 10 | 6:00p.m. – 8:00 p.m.

2023 Faculty & Member Show

This exhibition celebrates the diverse artistic talent of Abington Art Center’s faculty, staff, and members!

Exhibiting Artists

Jenny Cardoso
Mat Citrenbaum
Amy Cook
Cara Croke
Nick D’Angelo
Kathleen Dunleavy
John Fansmith
L.A. Feldstein
Sarah Francis
Megan Giampietro

Maxine Jackson
Jason Patrick Jenkins
Linda Johnson
Martha Kent Martin
Bob Ketterlinus
Martha Knox
Patricia Lima
Laura Madeline
Jane Mihalick
Shannon Moriarty

Thomas Murray
Koz Noruzi
Caitlyn Rudolph
Bill Ryan
Caroline Sawyer
Naomi Shon
Jeremy Sims
Diane Warchola
Maya Williams
AJ Wright

Select Works

Solo Series Fall 2023

Roam, 2023 | Birgit Raders-Eichinger | Acrylic on gallery-wrapped canvas

On View Sept 14 – Oct 23, 2023

Opening Reception | Thursday, Sept 14 | 6:00p.m. – 8:00 p.m.

Coffee Break: Artist Talks | Saturday, Sept 30 | 10:00 a.m. – 12:00 p.m.

Coffee Break: Artist Talks | Saturday, Oct 14 | 10:00 a.m. – 12:00p.m.

DIGITAL CATALOG

ARTISTS

Sara Allen, Photography

Brow (Forehead) | Photograph
Back and Arm | Photograph
Hand Over Hand (Folded Hands) | Photograph

“Sara Allen made snapshots over the years but left serious photography to ‘real’ artists. After the death of her husband and retirement from teaching English literature to middle schoolers, she began to think about creating images with a sense of purpose. Moving to a Nikon SLR, she began the long process of becoming a photographer.”

– Sara Allen

Sara Allen’s photographs capture the naturally aging body, with its creases, wrinkles, textures, and age spots. She frames the body in ways that make familiar parts, such as the neck, fingers, and back, feel like extraordinary foreign landscapes. Photographing in black in white allows for the viewer to appreciate the composition of each piece without the distraction of color. 


Allen’s series, FRAGMENTS, will be on view in our Community Arts gallery.

Birgit Raders-Eichinger, Painting

Roam, 2023 | Acrylic on gallery-wrapped canvas
Birchwood, 2023 | Mixed media acrylic collage on gallery-wrapped canvas
Hidden Treasure, 2023 | Acrylic on gallery-wrapped canvas

“I prefer contemporary composition and neutral colors with gold and silver. I enjoy bringing texture to the canvas and using different tools to develop the painting. I like to simplify and to reduce – that is where I am right now.”

– Birgit Raders-Eichinger

Despite having had a diverse professional history, from teaching culinary classes to being a private German language tutor, Birgit Raders-Eichinger has always had an inclination towards creative expression. During the pandemic, she made the shift from working in watercolor to creating large-scale paintings of abstracted shapes with large brushstrokes. She limits her color palette, primarily using black and white to contrast each other and create depth, and utilizing gold to accent and emphasize key elements within her abstract compositions. She notes, “When I do creative work, my mind relaxes beautifully. I love the process of abstract painting so much.”

Raders-Eichinger will be exhibiting her abstract paintings in our Kelner gallery.

Lauren Scavo-Fulk, Drawing

A Branch, 2021 | Charcoal on paper
Ripple, 2019 | Charcoal on paper
Overpass and Highway, 2019 | Charcoal on paper

“I am drawn to landscapes because they are both universal and personal; they are intertwined in both individual lives and collective histories, and are historically and culturally relevant in the art community and in the larger world. Though they are constantly changing, they are ever-present.” 

– Lauren Scavo-Fulk

Lauren Scavo-Fulk’s small-scale, hyper-realistic landscapes capture brief moments in time. She renders each piece with scrupulous care, highlighting quiet, intimate moments within commonplace and familiar scenes. From parking lots to overgrown highway guardrails and overpasses, Scavo-Fulk’s work also calls attention to the ever-present relationship of nature and humanity; “to depict the contrast between the objective depiction of nature and the subjective human element that is always present in our interpretation of our surroundings.” 

Scavo-Fulk’s graphite drawings will be on display in our Book Room gallery.

Kathran Siegel, Sculpture

Corsage, 2023 | Linden wood, gouache
Purple WrapAround, 2018 | Linden wood, acrylic and oil paints
Yellow Earth, 2017 | Linden wood, acrylic painted areas

“I like to mix vocabularies, searching for the syntax that will allow the languages of two and three dimensions to coexist [and] synthesize in my work.”

– Kathran Siegel

Though trained as a painter, Kathran Siegel began creating sculptural work early in her artistic career. Using power tools and large industrial machinery, she carves organic forms out of wood, and uses her exacto-knife for precision. This manual approach slows down production and gives Siegel time to reflect and revise. She states that “it is this process that keeps [her] coming back to the work.” Siegel’s manipulation of materials creates two dimensional works that exude a painterly quality with their organic, freeform shapes. Adding paint to highlight specific areas creates even more visual interest. The evidence of the artists’ hand is present in her artwork making the objects feel like unique hybrid’s which exist as both paintings and sculptures. 

Siegel’s sculptures will be on view in our Tile gallery.

 
 
 
 
 
 
 
 

2023 Summer Juried Show: Ethnicity Through the Eyes of the Artist

Where I Come From by Mindy Flexer

On View June 9 – July 24, 2023

Opening Reception | Friday, June 9 | 5:00p.m. – 8:00 p.m.

2023 Summer Juried Show – Ethnicity Through the Eyes of the Artist

Ethnicity Through the Eyes of the Artist challenged our artists to explore and contemplate the meaning of ethnicity, and the ideas, associations, and questions that surround this concept. 

Ethnicity can express a shared culture such as language, worldview, and value systems of a particular social group. A person’s identity and personal enculturation/acculturation experience often shape their orientation to the world and how it is seen from their eyes. Artists have an uncanny ability to bring to life a perspective that can frame or deconstruct these arrangements in a visual way. This challenges the viewer to reflect on, and see beyond attitudes and boundaries that have been formed previously within the greater culture. Artists have the ability to creatively illustrate how ethnicity, just as language, is an evolution that is constantly shifting.

Our artists explored what ethnicity means to them personally versus how ethnicity represents them in the greater culture. The selected works represent ethnicity in an array of forms, from mosaic and collage works, to drawings, paintings, and wearable art. Some artists saw this as an opportunity to educate, while others used this as a means of self expression. From celebrating cultures and traditions, to rejecting the stereotypes and associations encircling ethnic identities, our artists offer deeply personal investigations that highlight the complexities within ethnicity and how it intersects with identity.

As you explore the work on view, we would like you to consider your own relationship ethnicity.
How has your personal experience regarding ethnic identity shaped you?
What is the boundary between identity and ethnicity and how do they coexist?
What values tie you to your cultural heritage?

Our 2023 Summer Juried Show Jurors:

Erika Land, M.A.
Ethnographer, Artist, and Educator

Juror and curator, Erika Land, received her BFA and teaching certification at Moore College of Art & Design. Influenced by her undergraduate studio work, which focused on cultural arts, Land went on to pursue further education, receiving her M.A. in cultural anthropology from Eastern University. She is a current anthropology teacher at Eastern University, and maintains a studio practice in her studio based in Phoenixville, PA.

Visit Erika’s Website

Cheryl Harper
Artist and Independent Curator

Juror Cheryl Harper received her MFA in printmaking from the University of Delaware and her M.A. in art history from Temple University. In addition, Harper completed a two-year Museology program through the University of Illinois, which looks at all areas of museum study, including exhibit planning.

Harper works as an independent curator, while maintaining an art practice in printmaking. She has had work exhibited throughout the country, including the Maier Museum in Lynchburg, VA, Drew University in Madison, NJ, and the InLiquid Art + Design gallery in Philadelphia, PA.

Visit Cheryl’s Website

Nina Guzmán
Executive Director of Alianzas De Phoenixville

Juror Nina M. Guzmán received her Bachelor’s degree in Urban Missions and Social Work from The University of Valley Forge. 

Guzmán is the founder and executive director of Alianzas de Phoenixville, a non-profit organization that works to create a welcoming place for diverse immigrant communities. Alianzas de Phoenixville connects individuals with the resources needed to better acclimate to their immediate world and neighbors.

Visit Nina’s Website

Exhibiting Artists

Sarah Watkins-Nathan
Dawn Merritt
Z Kaplan
Birgit Raders-Eichinger
Kim Robbins
Lauren Silver
Marissa Georgiou
Frank Burd
Lauren Vargas
Lisa Smith
Janell Sampson
Oxana Kovalchuk
Gary Grissom
Maremi Andreozzi
Kirsten Cunningham

David Levy
Oscar Vance
Kimberly Stemler
Violet Alexandre
Erika Matyok
David Fuentes
Marlene Adler
Jacqueline Valenzuela
Thomas Murray
Jeremy Sims
Giulia Giordano
Debra Powell-Wright
Robin Brownfield
Jerod Mason
Henry Morales

DeJeonge Reese
Ronald Washington
Mindy Flexer
Laura Madeleine
Robert Reinhardt
Martha Knox
Brenda Rydstrom
Rickie Sanders
Ted Lutkus
Gail Morrison-Hall
Maxine Schwartz
Laila Wah
L. A. Feldstein
Alana Walters

Our 2023 Summer Juried Show Award Winners

Kirsten Cunningham, Expectations (Awarded Best in Show by Erika Land)

“Being biracial in a country with such a complicated history can often cause confusion for someone longing for a sense of identity. [This] piece symbolizes the different cultural influences that aim to shape us into what they want us to be. Being half-black in this country can cause a feeling of being pulled in both directions and never truly fitting into one or the other. The hands in this image are different shades that range from dark to light, which symbolize the ‘acceptable’ identities and norms that exist. Black, white, and grey are thoughtful color choices; they represent that we are colorless at our core and that American society has long dulled our cultural origins and heritage. The color of our skin is minor and insignificant. I am not just ‘black or white’; instead, I am a collection of colors, cultures, stories, heritage, and history.”

 

Alana Walters, There’s Levels to This… (Awarded Most Unique Application of Material by Cheryl Harper)

“This piece is directly tied into the cultural phenomena of African hair braiding. When a black child goes to get their hair done in the salon, there are posters hanging on the wall depicting different styles of braids that they can choose from. The panels in this piece represent parts of different posters. The print work within them represents the different hair styles. The process of getting your hair done by another person is not only a cultural experience, it’s also in many ways a meditative experience. A way to decompress and heal our minds in that moment. I want this piece to open up discussions among black communities about the importance of mental health. Not only is it a topic that needs to be discussed more often but this is a topic that can be discussed in a place we feel most at ease; a hair salon.”

 

Henry Morales, Mi Papa Jose (Awarded Most Compelling Interpretation of Theme by Nina Guzmán)

“My experience as a first-generation Guatemalan American inspires me to explore themes of labor, identity, hybridity, and place through works that mix non-traditional and familiar materials.
I am driven to explore what it means to be a child of immigrants and investigate the impact of migrating and assimilating to a new land.”

Select Works

Solo Series Spring 2023

Self-Portrait (Lilith), 2021 | Lauren E. Peters | Oil on canvas

On View April 21 – May 29, 2023

Opening Reception | Friday, April 21 | 6:00p.m. – 8:00 p.m.

Coffee Break: Artist Talks | Saturday, April 29 | 10:00 a.m. – 12:00 p.m.

Coffee Break: Artist Talks | Saturday, May 20 | 10:00 a.m. – 12:00p.m.

Digital Catalog

ARTISTS

Maryanne Buschini, Painting

Drill Gang, 2019 | Oil on canvas
Bench Drill and Workers, 2019 | Oil on canvas
The Last Few Feet, 2019 | Oil on canvas

“I explore the family bond and emotional narrative from my own viewpoint.”

– Maryanne Buschini

Maryanne Buschini explores ideas of origin, ancestry, history, and community in her figurative paintings. As a child of immigrants, Buschini uses her artwork as a tool to better understand her own connections to her ancestors and home. 

Her most recent work looks at the history of the laborers who contributed to the construction of the New York City water system, a project that was an important part of her childhood, having grown up in the area and “seeing the reservoir lake and large dam almost every day…in a town where many of the immigrant/workers had settled.” The artwork is the result of her research, piecing together the family and cultural history of those who lived on the land used for the reservoir and displaying it in a personable way that evokes an emotional response in the viewer. 

Maryanne Buschini will be showing her paintings in our Tile gallery.

Lauren E. Peters, Painting

Self-portrait (Prey), 2021 | Oil on canvas
Self-portrait (Lilith), 2021 | Oil on canvas
Self-portrait (Coquette), 2021 | Oil on canvas

“Lauren E. Peters is a visual artist working with the concepts of identity and gender through self-portraiture.”

Artist Lauren E. Peters explores identity, self expression, and the ties to gender in her vibrant self portrait paintings. Drawing inspiration from those who “do not live according to the bodies they were born into, who break through the constraints that hold them captive, and stand firmly in their own place on the vast spectrum of femininity” as well as from her own personal experiences, Peters uses the self portrait as a tool to reveal the complex relationship between her gender identity and gender expression. 

Despite being self portraits, each painting is radically different from each other. Peters plays dress up, sporting colorful wigs, puffy scarves, and elaborate wardrobes, and notes that “donning wigs and costumes is an assembling of identity” and that her paintings “speak to the performance of gender and appearance.” These physical attributes can influence our perception of the person she is revealing herself to be and plays into the idea of what is revealed and what is left hidden in how we present ourselves in society.

Lauren E. Peters will be exhibiting her paintings in our Kelner gallery.

Adina Segal, Mixed Media

Bright Orb Dancing in the East Sky (diptych), 2021 | Watercolor, gouache, colored pencil on paper
Saw This, 2021 | Collaged painting with watercolor, gouache, colored pencil on paper
Bright Orb Dancing in the East Sky (diptych), 2021 | Watercolor, gouache, colored pencil on paper

“I am fascinated by space, not as an exact location, but as a mysterious place, an infinite place of wonder with shifting atmospheres and moods.” 

– Adina Segal

Visual artist Adina Segal creates abstract mixed-media paintings inspired by her own intuition and the organic forms she finds in nature. Segal takes on an intuitive approach when making her paintings, layering thin coats of watercolor and gouache and letting the work naturally take shape by trusting the process and learning when to pull away. 

She notes, “following my intuition and trusting when to stop and when to work back into the painting, is contrary to how I often exist in other areas of my life…I am a planner, a list-maker, someone who likes to know what to expect.” Letting herself create in this way creates compositions that feel fluid, expressive, and unique and allows for new artistic discovery. 

Adina Segal will be exhibiting her artwork in our Book Room gallery.

James Terrell, Painting

All Dressed Up with no Where to Go, 2021 | Acrylic on canvas
God and the Devil, 2021 | Acrylic on canvas
Mother Nature, 2020 | Acrylic on canvas

“My art seeks to take the viewer on a visual ride through the silent places between thought, thereby allowing revelation and transformation of the human consciousness to occur.”

– James Terrell

Artist and educator James Terrell explores universal human experiences through his vibrant paintings and collages. Using bold colors to capture the viewer’s attention and intricate patterns to slow the viewer’s gaze, Terrell’s work is simultaneously loud and intimate. His art acts as a “reflection of joy, pain, confusion, contemplation, and deliverance” on a personal level and on a greater scale. He notes, “the paintings represent shared life experiences…the experiences, although individual to one’s own heart, are experiences that bind us and bring us together.” Each pattern, each color change, each paint stroke is representative of those experiences and the complexities within us and within life.

James Terrell will be exhibiting his work in our Community Arts gallery. 

Exhibition Documentation

Solo Series Winter 2023

Seaweed and Blue, 2022 | Gail Fox | Oil on canvas

On View February 24 – April 10, 2023

Opening Reception | Friday, February 24 | 6:00p.m. – 8:00 p.m.

Coffee Break: Artist Talks | Saturday, March 11 | 10:00 a.m. – 12:00 p.m.

Coffee Break: Artist Talks | Saturday, April 8 | 10:00 a.m. – 12:00p.m.

2023 Winter Solo Series Digital Catalog

ARTISTS

Nick D’Angelo, Painting

Not My Cup of Tea | Oil on panel
Upright | Oil on panel
Study for Centaur | Oil on panel

“Most of the color in my paintings has been distilled down to just one thing, and all surrounding it, achromic.” 

– Nick D’Angelo

Nick D’Angelo explores color in his realistic paintings of the Americana. Choosing to keep certain areas of the composition vivid and colorful, while leaving the rest achromatic, D’Angelo is able to highlight areas of unexpected beauty. This also changes the content of his work, by offering a new perspective on how the objects sit and interact with each other. Finding equal interest in the achromatic areas and the areas of color, D’Angelo notes “the absence of color forces us to distinguish the subjects by shape, light, and shadow…color is a great contrast and emphasizes the other objects’ lack of it (and vice versa).”

Nick D’Angelo is exhibiting work from his Paintings Achromic series in our Community Arts gallery.

Gail Fox, Painting

Arabesque, 2022 | Oil on canvas
Brilliant Mountains, 2021 | Oil on canvas
Red Point, 2022 | Oil on canvas

“I have always painted nature. For me, there was never a need to search for a subject…My search has always been for particular locations, places that begged recording.”

– Gail Fox

From vivid seascapes and mountain ranges, to whimsical koi pond compositions, local artist Gail Fox paints large-scale landscapes that are inspired by the natural world around her. Fox is drawn to natural forms, she explains “painting alongside fields, in woods, at stream’s edge, in solitary places, it is the dynamic rhythms of nature, its changing lights, and weather that engage me.” Her intense observation of these natural shifts is evident in the color choices, elaborate compositions, and attention to detail within her work. 

Gail Fox is exhibiting artwork selected from her landscapes, seascapes, and koi fish series in our Kellner Gallery.

Stuart Lehrman, Mixed Media

Portal #47, 2022 | Mix media on a wooden panel
Portal Burnt #130, 2023 | Burnt archival paper
Portal #71, 2022 | Mixed media canvas on a wooden panel

“My practice involves the dialogue between order and chaos.” 

– Stuart Lehrman

Artist Stuart Lehrman creates work inspired by the natural and human-made forms around him. Observation and experimentation is at the heart of his artistic practice. Creating works from crushed blueberries, ashes, iron shavings, and other experimental organic matter, Lehrman notes that it is through “the constant experimentation with the physical properties of the materials he works with,” that he is able to uncover truths and discover new ways of thinking.


Stuart Lehrman is exhibiting work from his Portal series, a series that explores the idea of passageways, in our Book Room gallery.

Constance McBride, Sculpture

Lonely Girl 322, 2020 – 2021 | Clay, Under Glaze, Chalk Pastel, Wire
Lonely Girl 3400, 2020 – 2021 | Clay, Stain, Oxide, Wax, Wire
Lonely Girl 4732, 2020 – 2021 | Clay, Copper Carbonate, Wax, Wire

“From becoming aware of the male gaze and self-objectifying, to harassment, abuse, marginalization and ageism,” artist Constance McBride creates figurative sculptures that explore issues experienced by womxn. Drawing upon her own experiences, McBride’s sculptures are representative of what is often overlooked or left unspoken. She creates natural forms with visible signs of aging and raw expression. These details call for introspection while inviting the viewer to consider what strength and resilience in the face of discrimination looks like. 


Constance McBride is exhibiting sculptures from her Lonely Girl series, a series that looks at Alzheimer’s disease through a gendered lens, in our Tile Gallery.

Exhibition Documentation

Moments Of Memories

Aimee Gilmore | Scanned baby blankets printed on vinyl

On View November 4, 2022 – December 19, 2022

Opening Reception | Friday, November 4 | 6:00p.m. – 8:00 p.m.

Coffee Break: Artist Talks | Saturday, November 19 | 10:00 a.m. – 12:00 p.m.

Moments Of Memories

Abington Art Center is thrilled to present the work of artist Aimee Gilmore, in Moments Of Memories, on view from November 4th through December 19th, with her artist talk to take place on November 19th 2022.

Aimee Gilmore reflects on her innate desire to hold onto objects associated with her own journey through motherhood. As she preserves these objects such as baby bottles, onesies, and pregnancy tests by encasing them in rubber, resin, and chrome, Gilmore is able to draw out their inherent sentimentality while casting a critical lens on labor.

In looking at these objects and the stories that they tell about invisible labor and the care economy, her work acts as an intimate introspection; “mundane moments of daily routines, baby clothes that have long been outgrown, and abandoned stuffed animals become stand-ins for the accumulation of time and labor spent over years of caretaking.” 

Aimee Gilmore’s solo show will run concurrent with our 2022 Faculty Show, also on view from November 4th through December 19th. This year’s Faculty Show considers growth, a familiar concept for our teaching artists, and the ideas, associations, and questions that surround this word. The selected pieces interpret growth in an array of forms, from sculptural work and jewelry, to photographs, drawings, and paintings.

Please join us for our opening reception on November 4th from 6pm to 8pm, and for our artist talk, scheduled for November 19th from 10am to 12pm. We hope to see you there!

Featured Works

Insiders Series, Aimee Gilmore, Reversed stuffed animals
Tested Series, Aimee Gilmore,
Ovulation and pregnancy test strips on paper

Chrome Series, Aimee Gilmore,
Chrome-plated baby items
Rubber Portrait Series, Aimee Gilmore,
Baby clothes and objects in rubber
Insiders Series, Aimee Gilmore, Reversed stuffed animals

Aimee Gilmore, Scanned baby blankets printed on vinyl

…Mundane objects transform into relics through small yet significant manipulations that change how we preserve our most precious yet fleeting moments and memories. By focusing on the labor of motherhood, as emphasized through the collection of recognizable objects and imagery, I begin to viscerally relate the abstract nature of care to the unpredictable nature of time and place…

– Aimee Gilmore

Exhibition Documentation

Digital Catalog

2022 Faculty Show

Autumn Hydrangea | Megan Giampietro | 17 x 21″, Pastels

On View November 4, 2022 – December 19, 2022

Opening Reception | Friday, November 4 | 6:00p.m. – 8:00 p.m.

Coffee Break: Artist Talks | Saturday, November 12 | 10:00 a.m. – 12:00 p.m.

Coffee Break: Artist Talks | Saturday, December 3 | 10:00 a.m. – 12:00p.m.

2022 Faculty Show – Exploring Growth

This is the 5th installation of a Faculty Exhibition from Abington Art Center teachers and staff.

In this year’s faculty show, we asked our teachers and staff to contemplate the meaning of growth and the ideas, associations, and questions that surround this concept. Growth is a familiar concept for teaching artists who witness and encourage growth within their own work, the work of their peers, and their students’ work. As we encounter other peoples art, we are forced to consider questions around meaning and process which inherently spark evolution. Although growth is an organic aspect of life, it can also be challenging and even painful. Even when change poses challenges, growth is a positive force. Whether physical, intellectual, or metaphorical, growth is evident everywhere as an inherent aspect of life. The selected pieces interpret growth in an array of forms, from sculptural work and jewelry, to photographs, drawings, and paintings.

As you walk through and explore the work on view we would like you to consider your relationship to growth.

Where are you growing?

Where are you resistant to growth?

How can you invite positive change?

Featured Works

Across The Wissahickon, Jenny Cardoso
Autumn Hydrangeas, Megan Giampietro

In the Moment K-Flower, David Karasow
Growth, Maya Williams
Peace Bowl, Linda Johnson
Howling, Patricia Lima

Exhibition Documentation

Digital Catalog